The disappearing Fushun amber beeswax carving processing old craft
On the carving process of amber beeswax, it is also the most pleasing to see China. This is the cultural heritage. However, the old craftsmanship of Chinese amber beeswax has gradually disappeared with the depletion of Fushun amber beeswax, disappearing~~
Fushun, China, one of the world's famous amber wax production areas, so when it comes to the carving process of Chinese amber beeswax, Fushun is definitely one of the best.
The old craftsmanship of Fushun amber wax carving masters has been passed down for more than 100 years. The founders Wang Shiyun and Dai Mingqian processed and sold amber wax crafts in the form of family craft workshops, and also collected art. In 1906, after developing the fine carving of coal, Zhao Kunsheng opened the shop “Shuanghexingâ€, and also processed amber beeswax products, creating a precedent for the processing and sales of both amber beeswax and coal fine carving.
Fushun amber wax carving production process, with a strong local style, ingenuity, according to the classification of folk art, has been included in the Liaoning Provincial Intangible Cultural Heritage Project Directory, summarized, mainly in the following categories:
Amber beeswax painting
Amber wax painting, mainly in the snuff bottle of amber beeswax, draws a pattern with a very thin stroke.
The process began in the late Ming and early Qing dynasties and was said to have been inspired by the Western tribute to the snuff containers in China, while the amber wax painting was originally spent in the amber wax snuff bottle.
To make a snuff in the amber beeswax, in addition to finding skilled craftsmen and artisans, you should also find suitable amber beeswax with large head, high clarity and light color. When making, the process is complicated. In addition to hollowing out the interior, the interior is painted. The outside of the snuff bottle is also decorated with bas-relief techniques to set off the color and beauty of the interior painting. The interior paintings are very rich, and landscapes, flowers, birds, characters, and cordyceps can be picturesque.
Amber beeswax carving
Fushun's amber beeswax engraving combines many traditional carving techniques in China, drawing on the design and engraving techniques of jade carving and coal carving, and improving and innovating. The amber wax carving is based on the inspiration and experience of the artist. , according to the final draft, due to material skills.
The process of carving Fushun amber beeswax is: collecting materials, selecting materials, cutting skin, styling, breaking the wild, cornering, shoveling, walking, smashing, polishing, drilling, boring, grinding, beading, Inside painting, inlaying, polishing, cleaning, etc., three kinds of carving techniques: round carving, relief carving, and openwork. Because the amber beeswax is fragile, in addition to the knife, the artists have made some micro-machining tools to facilitate the fine carving, and the techniques are steady, accurate and flawless.
These techniques are a set of unique traditional handicraft techniques that several generations have been groping and practicing. The artisans usually create works based on the characteristics of the materials, which is a test of craftsmanship and creativity. A good artisan often takes it. When you come to the material, you will have a picture to be carved in your mind.
Various accessories
Amber beeswax resources are getting less and less, and large materials are used for engraving, and small materials can not be wasted. Craftsmen use small materials to make beads, necklaces, cufflinks, collar flowers, bracelets, rings, earrings, brooches and other accessories, as well as some reliefs for objects, or men's cigarette holders, etc. Demonstrate identity and taste.
After generations of efforts, the amber beeswax old craftsmen each summed up their own unique production and processing methods, which made the carving process of Fushun Amber Wax wax shine and unique. It is the crystallization of Chinese traditional culture and folk art. .
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